Learn the top 5 macro lens, Perspective is always important in photography. Who is your subject, and where are you going to shoot them? 바카라사이트
How is the lighting, and how might it affect the shot? Do you intend to shoot from above or below?
Is the subject moving, or are you moving as you try to find the right angle on a static landscape? Then you can start asking gear-related questions.
Are you using a prime lens or a telescopic lens to shoot from a distance? Is this a live event, and do you need to bring a few lenses with you?
As soon as you enter the macro level, the world becomes alien.
You want to develop these skills as a budding photographer, along with the ability to ask yourself these questions and consider the logistics.
But when you shift your focus to work on the incredibly small scale of macro photography—shooting bugs and other
Small items that live in a world apart from most of the photos you’ll shoot—that need is literally amplified.
When you zoom in on the macro level, it becomes an alien world, according to photographer and instructor Ben Long.
What exactly is macro photography?
Macro photography is all about displaying a subject that is larger in real life than it is in reality — an extreme close-up of something small.
A five-by-seven-inch photo of a full-frame insect and a four-inch product shot of a cornflake are both examples of macro photography.
(While this premise would apply to photos taken with a microscope, this goes beyond macro and into photomicrography, or photos of the microscopic.)
The world you know is gone in macro photography, and a new one emerges.
“Working your way through the refrigerator is a really great place to start,” Long suggests. “When you get up close and personal with berries, they’re fascinating.
They have hair on them and have really cool textures. I photographed a cornflake at a ridiculous magnification
And it looked like either a really gross piece of meat or the surface of Mars.”
Exploration, as with all photography, is what fuels your ability to understand what you’re looking for in your photos.
The more you explore this new, mysterious world, the more you’ll realize what you want to record.
What factors contribute to good macro photography?
Long explains, “What makes a great macro image great is the same thing that makes a great photograph great.
It is always the photographer’s responsibility to ensure that they have organized the frame and used all of the expressive mechanisms at their disposal
Such as depth of field, motion stopping power, and light and shadow control — so that the viewer immediately knows what the subject of the image is.
Finding the right subjects and angles can be extremely difficult when you have to drastically alter your perspective.
The hardest part of macro photography, according to Long, is actually previsualization—learning to identify potential candidates for good macro subjects.
Because things simply appear to be completely different from what you see in the real world when you’re at macro distances.
You might be unaware that you are looking at a fantastic macro subject.
As your eye for macro subjects develops (“You just have to do a lot of macro shooting before you start to get a sense of what’s going to make good subject matter
Where the best angle might be,” Long says), you’ll notice some challenges that come with this specialized skill.
Tips for Macro Photography
First and foremost, any macro photography advice will be useless unless you have a macro lens.
While most lenses shoot at 1:2.8 or higher, macro lenses shoot at 1:1 and can only focus within the macro range of about 12 inches or less
Essential for the super-sharp focus required to make the minuscule larger than life.
With that purchase completed, consider the following as you begin to shoot at a macro level:
Quick tip: If you want to try out a reversing ring before investing in a dedicated macro lens with a focal length better suited to the style
You can get one for a fraction of the price. This enables you to create a macro effect by mounting a standard lens backward on your camera. 카지노사이트
Keep an eye out for specifics.
As you get closer to an object, fine details and tiny imperfections that were previously invisible become visible.
When you magnify as much as you can in macro photography, you might see stray hairs the size of pool noodles.
Long elaborates. “You need to clean like crazy.” And you can’t just get a can of compressed air and blow it away if it’s fragile.
To clean everything off, you’ll need to get in there with tweezers and small brushes.
Plan out what you want to photograph.
“Macro photography depends on the photographer and what they want to enlarge for people to see,” photographer Stephen Klise explains.
Because working with smaller subjects reduces your depth of field, it is critical to go into macro shoots with a plan for what photos you want to get.
When working with macro photography, you have such a narrow plane of focus that small adjustments will throw the whole thing off,” says Klise. It takes a long time and a lot of planning.
Macro work has a higher margin for error, so you must be more prepared. Previsualization is essential.
Focus stacking is a technique that can be advantageous when using the extremely shallow depth of field that macro photography provides.
It enables you to combine multiple in-focus regions from a collection of macro photos into a single image using Adobe Photoshop or Lightroom.
The key to obtaining the necessary elements for a focus-stacked image, however, is planning and visualization.
With macro photography, you have such a narrow plane of focus that minor adjustments will throw the whole thing off.”
When I’m shooting macro, I’m always thinking, ‘Where is my subject?
‘I’m thinking, ‘How will this image be presented?’
Carli Davidson, best-selling author and photographer, says, ‘
Bring some light to your subject.
Much like the effects of light and shadow are amplified in a macro shot, so are the effects of detail — and these are things you can control in some macro shoots, to your advantage.
Consider your situation.
Aside from lighting and dust motes, another aspect to consider is your background.
It’s easy to forget to check your background when you’re so focused on your tiny subject.
Made this little scene with toy dinosaurs and everything,” says photographer Jeff Carlson of a recent shoot.
I was about to send it to my editor when my wife looked at it and said, ‘There’s no way you’re going to send that.
In the background, there are dirty dishes.
Be wary of any movement.
Motion has the potential to blur a photograph, and as with all aspects of macro photography
The issue becomes more pronounced with small subjects and scenes. A good setup is essential for keeping the camera body steady.
When working at magnification, camera shake becomes very important, Long says.
This is especially true if you’re using a slower shutter speed; because macro shots are so dark, you need to use a one- or two-second shutter speed.
You might have to leave the room and use the remote control to do so. I live on the top floor of an old building, and walking around causes camera shake.
It’s possible that awareness is the key to it all. Even though macro photography takes place at a smaller scale
The same principles still apply:
Make sure your subject is sharp, your contrast is strong, and it’s obvious where you want the viewer to look.
With such a different viewpoint in macro, there aren’t necessarily more things to watch out for, but it’s still important to develop your eye for what to look for. 카지노 블로그
Always remember that practice will make perfect, so adopt the Ant-Man attitude and begin to think and shoot small.